翻訳と辞書
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・ Gong est Mort, Vive Gong
・ Gong farmer
・ Gong Gong
・ Gong Guohua
・ Gong Hanlin
・ Gong Hill
・ Gong Hongjia
・ Gong Hwang-cherng
・ Gong Hyo-jin
・ Gong Hyo-suk
・ Gong Hyung-jin
・ Gong Ji-young
・ Gong Jianping
・ Gong Jinjie
・ Gone Maybe Gone
Gone Missing (musical)
・ Gone Not Around Any Longer
・ Gone Nutty
・ Gone on That Bay
・ Gone Phishin
・ Gone Polka
・ Gone Postal
・ Gone Records
・ Gone South
・ Gone Sovereign/Absolute Zero
・ Gone sunny days
・ Gone till November
・ Gone to Coney Island and Booming Business
・ Gone to Earth
・ Gone to Earth (Barclay James Harvest album)


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Gone Missing (musical) : ウィキペディア英語版
Gone Missing (musical)

''Gone Missing'' is a 2003 musical by The Civilians, an investigative theater company in New York City. This piece of musical theatre is composed of interviews conducted by the company on the subject of loss. The play engages with individuals who have lost everything from jewelry to technology to a black Gucci pump, investigating both how things get lost, and how the impact of that loss can extend far beyond the meaning of the object itself. ''Gone Missing'' was written and directed by Steve Cosson from interviews by the company, with music and lyrics by Michael Friedman, with additional text for “Interview with Dr. Palinurus” by Peter Morris.〔Cosson, Steven. "Gone Missing.” The Civilians. Ed. Steven Cosson. New York: Playscripts, Inc, 2008. Print.〕 Gone Missing made its Canadian premier on May 12, 2011 by Southpointe Academy in British Columbia.
==Conception==
''Gone Missing'' began with interviews about things that were lost and never found. The show does not answer any questions or purport theories about loss but rather presents a wide variety of human stories and emotions through this specific type of common experience. When writing about what impact he wanted to have with ''Gone Missing'', stage director and writer Steve Cosson said

“I wanted to learn if the mechanics of loss and grief were significantly different in other people. Or do we instead all just have different names and objects tagged to the various holes in hearts, with the nature of the holes themselves being more or less the same? And is there a way that we as a society remember lost things can tell us something about how we live now? Could these holes somehow make a map of absences that would describe the territory that encompasses both ‘all there is’ and ‘all that might have been?’”〔


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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